Bruce
Guenther – Bibliography
Guenther, Bruce, and Susan Fillin-Yeh. Hilda Morris.
Portland, OR: Portland Art Museum, 2006.
Guenther, Bruce. William Morris: Medicine Jars.
New York: Ameringer & Yohe Fine Art, 2006.
_____. Anna Skibska: No Exit.
Portland, OR: The Bullseye Gallery, 2006.
Guenther, Bruce and Arlene Schnitzer. The Life and Art of Michele Russo.
Portland, OR: Pacific Northwest College of Art, 2005.
Guenther, Bruce. Jessica Loughlin: Shifting Views.
Portland, OR: The Bullseye Connection Gallery, 2005.
_____. Michael Spafford.
Hanover, NH: Dartmouth College, 2005.
_____. Maximalism: Art at the Hotel Max, Seattle.
Seattle: Chetwynd Stapylton and Vance Hotel Associates, LP, 2005.
_____. Roland Petersen: Works from the 1950s and 1960s.
San Francisco: Hackett-Freedman Gallery, 2004.
_____. Frank Lobdell: Recent Work, 1990-2004.
San Francisco: Hackett-Freedman Gallery, 2004.
_____. Introduction to and essay for Frank Lobdell: The Art of Making and Meaning, by
Timothy Anglin Burgard et al. New York: Hudson Hills Press and Fine Arts Museums of San Francisco, 2003.
_____. Drake Deknatel: “Zeitwende.”
Berlin: Galerie Michael Schultz, 2003.
_____. 2003 Oregon Biennial.
Portland: Portland Art Museum. 2003.
_____. Judy Cooke: Celebration After the Fact: a retrospective 1973-2001.
Marylhurst, OR: Art Gym, Marylhurst University, 2002.
_____. Frank Lobdell: Three Phases, 1947-2001.
San Francisco: Hackett-Freedman Gallery, 2002.
Wilkin, Karen, and Bruce Guenther. Clement Greenberg: A Critic’s Collection.
Portland, OR: Portland Art Museum; Princeton: Princeton University Press, 2001.
Guenther, Bruce. Introduction to William Morris: Man Adorned, by Blake Edgar et al.
Seattle: Marquand Books in association with University of Washington Press,
2001.
_____. 2001 Oregon Biennial.
Portland, OR: Portland Art Museum, 2001.
_____. Richard Deutsch Sculpture.
Santa Cruz, CA: Museum of Art and History, 2001.
Guenther, Bruce and Peter Plagens. Tony DeLap.
Newport Beach, CA: Orange County Museum of Art, 2000.
Guenther, Bruce. Pierre-Marie Brisson.
New York: Franklin Bowles Gallery, 2000.
_____. 1999 Biennial.
Newport Beach, CA: Orange County Museum of Art, 1999.
_____. Rachel Lachowicz.
Claremont, CA: Claremont Graduate University, 1999.
_____. Mark di Suvero: Orange County.
Newport Beach, CA: Orange County Museum of Art, 1998.
_____. New California Art: Brett Reichman.
Newport Beach, CA: Orange County Museum of Art, 1998.
Duncan, Michael and Edward Ruscha. Joe Goode. Compiled by Bruce Guenther.
Newport Beach, CA: Orange County Museum of Art, 1997.
Guenther, Bruce. 1997 Biennial.
Newport Beach, CA: Orange County Museum of Art, 1997.
_____. Hoon Kwak: Memory and Loss.
Palos Verdes, CA: Hoon Kwak, 1997.
_____. Africa: Between Myth and Reality.
New York: Cinema Guild, Southern Oregon State College, 1996. Videocassette.
_____. Martin Mull: Paintings, Drawings, and Words.
Boston: Tuttle Books, Journey Editions, 1995.
_____. The Essential Gesture.
Newport Beach, CA: Newport Harbor Art Museum, 1994.
_____. Martin Mull.
New York: David Beitzel Gallery, 1994.
_____. Jean-Michel Basquiat: The Blue Ribbon Paintings.
South Hadley, MA: Mount Holyoke College Art Museum, 1994.
_____. Sam Hernandez: Abstract Imagist.
Palm Springs, CA: Palm Springs Desert Museum, 1993.
_____. Fourth Newport Biennial: Southern California 1993.
Newport Beach, CA: Newport Harbor Art Museum, 1993.
_____. Preface to Multicultural Celebrations: The
Paintings of Betty La Duke,
1972-1992, by Gloria Feman Orenstein. San Francisco: Pomegranate Artbooks, 1993.
_____. New California Art: Oliver Jackson.
Newport Beach, CA: Newport Harbor Art Museum, 1993.
_____. New California Art: Tomas Nakada.
Newport Beach, CA: Newport Harbor Art Museum, 1993.
_____. New California Art: LoCurto/Outcault.
Newport Beach, CA: Newport Harbor Art Museum, 1993.
_____. New California Art: Rachel Lachowicz.
Newport Beach, CA: Newport Harbor Art Museum, 1992.
_____. Manfred Wakolbinger.
Graz: Neue Galerie Am Landesmuseum Joanneum, 1992.
_____. Jorge Tacla: Borders.
New York: Nora Haime Gallery, 1992.
_____. “Manfred
Wakolbinger: Within/Without.” In Interferences
III: Aspects of
Nature – Aspects of Art,
Caroline Dlugos, Eberhard Eckerue, Manfred Wakolbinger. Vienna: Museum Moderner Kunst Wein, 1991.
_____. Options 40: Chéri Samba.
Chicago: Museum of Contemporary Art, 1991.
_____. Options 42: Daniel Senise.
Chicago: Museum of Contemporary Art, 1991.
_____. Options 39: Willi Kopf.
Chicago: Museum of Contemporary Art, 1990.
_____. Alden Mason: The Courtship Series.
Seattle: Greg Kucera Gallery, 1990.
_____. Three Decades: The Oliver-Hoffmann Collection.
Chicago: Museum of Contemporary Art, 1988.
_____. John Buck.
San Francisco: Anne Kohs & Associates, 1988.
_____. Recent Acquisitions of the Centro Cultural Arte Contemporaneo.
Mexico City: Centro Arte Contemporaneo, 1987.
_____. Missouri Visual Artists Biennial.
St. Louis: First Street Forum and Missouri Arts Council, 1986.
_____. Buck/Butterfield: A Collaboration.
Pittsburgh: Pittsburgh Center for the Arts, 1986.
_____. Fountain Gallery: 1961-1986.
Portland, OR: Fountain Gallery of Art, 1986.
_____. Guy Anderson.
Seattle: Francine Seders Gallery and the University of Washington Press, 1986.
_____. Marsha Burns: Photographic Themes.
Athens, Ohio: Trisolini Gallery of Ohio University, 1986.
_____. Documents Northwest: Lucinda Parker.
Seattle: Seattle Art Museum, 1986.
_____. Documents Northwest: Alden Mason.
Seattle: Seattle Art Museum, 1986.
_____. Documents Northwest: Michael Spafford.
Seattle: Seattle Art Museum, 1986.
Guenther, Bruce and Patricia Watkinson. Gaylen Hansen: The Paintings of a Decade, 1975-1985. Pullman, WA: Washington State University Press, 1985.
_____. Northern Rockies Exhibition, 1985.
Billings, MT: Yellowstone Art Center, 1985.
_____. Chema Cobo—Artist of the Ash Land.
Chicago: Zolla-Lieberman Gallery, 1985.
_____. States of War: New European and American Paintings.
Seattle: Seattle Art Museum, 1985.
_____. Documents Northwest: George Tsutakawa.
Seattle: Seattle Art Museum, 1985.
_____. Documents Northwest: Randy Hayes.
Seattle: Seattle Art Museum, 1985.
_____. Documents Northwest: Dennis Evans.
Seattle: Seattle Art Museum, 1985.
_____. Documents Northwest: Fay Jones.
Seattle: Seattle Art Museum, 1985.
_____. 39th Annual Pacific Northwest Arts and Crafts Fair.
Bellevue, WA: Pacific Northwest Arts and Crafts Association, 1985.
_____. Documents Northwest: Michele Russo.
Seattle: Seattle Art Museum, 1984.
_____. Documents Northwest: John Buck.
Seattle: Seattle Art Museum, 1984.
_____. Documents Northwest: Gregory Grenon.
Seattle: Seattle Art Museum, 1984.
_____. Documents Northwest: Diane Katsiaficas.
Seattle: Seattle Art Museum, 1984.
_____. Documents Northwest: Robert Helm.
Seattle: Seattle Art Museum, 1984.
_____. The Richard and Jane Lang Collection.
Seattle: Seattle Art Museum, 1984.
_____. Documents Northwest: Jeffrey Bishop.
Seattle: Seattle Art Museum, 1983.
Guenther, Bruce and Marsha Burns. 50 Northwest Artists: A Critical Selection
of
Painters and Sculptors Working in the Pacific Northwest. San Francisco:
Chronicle Books, 1983.
Guenther, Bruce. Oliver Jackson.
Seattle: Seattle Art Museum, 1982.
_____. Pacific Northwest Artists and Japan.
Osaka, Japan: The National Museum of Art, Osaka, 1982.
_____. Brian Wall.
Seattle: Seattle Art Museum, 1982.
_____. Manuel Neri.
Seattle: Seattle Art Museum, 1981.
_____. Stanton Macdonald-Wright: Prints of the Haiku.
San Francisco: The Art Museum Association, 1980.
_____. Drawing 1900-1945: A Survey of American Works.
Pullman, WA: Washington State University Press, 1979.
_____. Mel Katz: Works, 1971-78.
Pullman, WA: Washington State University Press, 1979.
_____. Diverse Directions: The Fiber Arts.
Pullman, WA: Washington State University Press, 1978.
_____. Margaret Tomkins.
Pullman, WA: Washington State University Press, 1977.
_____. Six From
California: Robert Arneson, Roy de Forest, Roland Peterson, Wayne
Theibaud, William T. Willey, Franklin Williams. Pullman, WA: Washington State University Press, 1976.